![]() When Brett and I first met, I was very specific about what I wanted to see, how I wanted Kurt to be represented. It paints a portrait of a man attempting to cope with being a human. It’s the closest thing to having Kurt tell his own story in his own words – by his own aesthetic, his own perception of the world. < div> Please enable Javascript to watch this video< /div> Watch Mark Seliger share his memories of photographing Kurt in his “Corporate Magazines Still Suck” shirt and David Fricke talking about his first and last conversations with Cobain: ![]() What follows are additional excerpts from a remarkable – and moving – conversation. And that would have been an incredible experience.” “I think that was one of the main triggers as to why he felt he didn’t want to be here and everyone would be happier without him.”īut “in reality, if he had lived,” she goes on, “I would have had a dad. “Kurt got to the point where he eventually had to sacrifice every bit of who he was to his art, because the world demanded it of him,” Frances says bluntly at one point. That is one of many stories and revelations that come out over almost three hours late one afternoon in early March, as Frances, now 22 and a visual artist, speaks publicly for the first time about her father life after his death her complex relationship with her mother, Courtney Love and the new film, written, directed and produced by Brett Morgen. “Yeah,” Frances says with a grin and mock-exasperation, “looking at my dad every day.” ( Preview the cover story and listen to a previously unheard Cobain song here.) She remembers providing research assistance on a cover about the Jonas Brothers – and working in a cubicle across from a wall with a giant painting of Kurt. Frances – the daughter of Nirvana singer-guitarist Kurt Cobain and an executive producer of the new HBO documentary on his life, Kurt Cobain: Montage of Heck – was “a 15-year-old Goth kid, so stoked,” she recalls with a laugh during a recent interview for the cover story in our new issue. One summer a few years ago, Frances Bean Cobain worked as an intern in the New York offices of Rolling Stone.
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